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Baret Boisson's work conveys a whimsy and personality
that transcends the painted medium. Her subjects range from the
entertainment industry's most vibrant screenwriters, actors and
producers, to influential leaders, to sloe-eyed dogs, -- and she
treats each with a detail-oriented and unique perspective.
Colors
leap off of ceramics, the relationship between subjects and environment
melds onto board, and the viewer is enticed by a timeless curiosity
and humor that invites a more intense relationship. Completely self-taught,
Boisson's portraiture surpasses trends and convention to impart
a deeply vibrant, joyful nostalgia. Baret has always been surrounded by beauty.
Born in Florence to two
accomplished artists, she grew up wide-eyed, but with a connoisseur's
appreciation of art and its splendor. Her background includes a multifaceted
childhood living in Europe and South America- French Guyana and Dutch
Guyana - and schooling in the heart of America's art world, New York
City.
After majoring in political studies at Barnard College, Baret
became an editorial assistant at Random House, where she worked
for publishing maven Joni Evans. Baret's passion for words and good
stories would eventually translate into a visual dialog between viewer
and portraiture, but it took a special, unpredictable journey for this
storytelling to come to pass. After several years immersed in the literary world, Baret relocated
to California where she established a home furnishings store in Santa
Monica that featured handmade quilts, rugs, and antiques.
From compiling
the folk art to expertly merchandising the shop, Baret took great pride
in its success.The following year was rife with environmental tribulations: extreme
heat, then wild fires in nearby Malibu that covered the area with ash;
torrential rains followed, which gave way to flooding. Finally, the
powerful Northridge earthquake shook the area, devastating Montana Avenue
and gripping Baret in a paroxysm of fear.
Emotionally shaken and paralyzed
by terror of possible aftershocks, Baret closed her shop. Having been
diverted from a career path that had been so strongly established, now
Baret had no idea what she would do next. It was from this loss and
anxiety that her artistic development flourished. One evening a close friend invited Baret to his house for dinner. Upon
her arrival he laid out paint and several pieces of cardboard and, laughing,
suggested that they paint. Without so much as a moment's hesitation,
Baret threw herself upon on the floor and began to spread colors upon
the boards.
An obsession was instantly born. From that single night Boisson took
to painting anything she could find: wood, cardboard, an entire collection
of ceramics created at a local pottery studio, and eventually, canvas.
Slowly she began to incorporate her contagious wit and wry, playful
elements. After nearly thirty years, with two artist parents and no
previous professional experience in the world of art, a fresh career
trajectory appeared for her; through the therapeutic process of artistic
creation, Baret's sense of humor and zeal for life had reemerged.
Baret Boisson's portraiture has been commissioned and is displayed
in the homes of discerning celebrities and executives nationwide. Her
work has been featured on the Sundance Channel and is available as note
cards in fine stationary boutiques. Her past projects also include quilt
designs for the Judi Boisson American Home Collection, and cover art
for the "Meditation" CD series featured in "W" and "Self" magazines.
Creative Process:
Baret Boisson
is an entirely self-taught artist who believes in acting as a bridge between
her subject and her art. She employs a method of gleaning details by closely
studying her subject. If the work is commissioned as a gift, she views
photographs and asks a multitude of questions.
However,
Baret's approach is not necessarily indicative of a linear approach.
She is often inspired by unexpected discoveries, interweaving process
with life. She finds details that intrigue her: a sparkling diamond
necklace, a koi pond, or a powerful turn of phrase such as, 'Thou
Shall Not Stand Idly By'; all of which have been integrated
into her work. By linking her interests and attraction to the subject,
Baret creates a nonpareil representation that shatters the conventional
notion of portraiture. Her work is not just a depiction of the person's physique; she renders their spirit, as well.
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